Three non-joining wall fragments of stand, a from near top, b and c preserving part of the torus foot. Much of the surface pitted on a; glaze abraded on foot. P.H. a) 0.11, b) 0.073, c) 0.05.

Fragment a (illustrated) preserves a woman (neck to mid-thigh, upper arms) standing frontally, head to left. She wears a peplos. At the upper left, chest (carried by her[?]). At the upper right, the lower left corner of another chest and at the lower right, part of a sash, probably hanging from her left arm. Fragment b seems to preserve the lower drapery of a figure and at the right, the end of a sash. Below, egg pattern, then inverted rays. Fragment c gives more of the two patterns.

137 seems to be by the same hand as the lebetes gamikoi in Madrid that Beazley says continue the tradition of Athens, N.M. 1681 in the manner of the Meidias Painter but are no longer Meidian: Madrid 11264 (ARV2 1332, 2) and Madrid 11263 (ARV2 1332, 3). The drapery of each figure has the thick, black border applied freely without a framing line at the edge of the cloth, and at the bottom of the stand there are rays above the torus foot that end in long, narrow tips drawn in thin glaze.