Five non-joining fragments, d of floor with ring base, a of body with start of neck, the rest, body fragments. Glazed black on inside, streaked in places. Max. dim. a) 0.129, b) 0.057, c) 0.11, e) 0.063; d) diam. of base 0.122. Choes and Anthesteria, p. 88, cat. no. 220, fig. 183; W. Real, Studien zur Entwicklung der Vasenmalerei im ausgehenden 5. Jahrhundert v. Chr., Aschendorff, Münster Westfalen 1973, pl. 14:b; Lezzi-Hafter, Eretria-Maler, p. 341, cat. no. 224, pl. 65:b; Burn, Meidias Painter, p. 108, cat. no. MM 48.

Woman with aulos, dancing. Fragment a (illustrated) preserves a woman (forehead, left hand, lower drapery, and feet missing) dancing to right, her head thrown back, holding an aulos in her right hand. She wears a belted chiton, a bracelet on each forearm, and earrings and has a fillet around her head. Fragment b preserves the toes of her right foot and part of the pattern below, a maeander with checkerboard squares. Fragments c -- e are without decoration. Above the figures, a row of egg pattern with darts and above that, a narrow row of egg pattern with dots. The side frame is a column of elongated chevrons.

For the patterns above the figure, see CB ii, p. 95; the chous in Tübingen S./10 1605 = E 120 is now published in CVA, Tübingen 4 [Deutschland 52], pl. 36 [2553]: there Böhr (p. 83) adds a further example of the pattern, an oinochoe in Basel, Antikenmuseum und Sammlung Ludwig BS 407 (ARV2 1688, 12 bis; Paralip. 469, 12 bis; CVA, Basel 3 [Schweiz 7], pl. 42 [354]:3, 4; Lezzi-Hafter, Eretria-Maler, p. 338, cat. no. 212, pl. 134; Addenda 354).

Manner of the Meidias Painter (ARV1 837, 29 bis); may be by the painter himself (ARV2 1323, 35; Addenda 363). Assigned by Green to the late side of the Class of Athens 15308 (BSA 66, 1971, p. 201, no. 7).