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Name
Title
Date
Chronology
 
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Agora 30, s. 251, p. 232ARV² 495
Agora 27, p. 176, cat. no. 78, pl. 39
Paralip. 380
Addenda 250
Pit
H.A. Thompson, Hesperia 19, 1950, pl. 107
Choes and Anthesteria, p. 94, cat. no. 248, fig. 388:h
H.A. Thompson, Fasti arch. 4, 1949, p. 165, fig. 19
J.M. Cook, JHS 70, 1950, pl. 2:b
L. Talcott, Hesperia 8, 1939, pp. 268-269, figs. 1, 2
ARV² 658, 22
A. Pickard-Cambridge, Dramatic Festivals of Athens, 2nd ed., Oxford 1968, pp. 180-181, fig. 32
Well
Choes and Anthesteria, p. 86, cat. no. 207, fig. 141
T.B.L. Webster, Hesperia 29, 1960, pl. 65:A1
M. Bieber, History of the Greek and Roman Theater, 2nd ed., Princeton 1961, p. 23, fig. 74
C. Kardara, Ἀρχ Ἐφ, 1964, p. 58, fig. 6
E. Gebhardt, The Muses at Work: Arts, Crafts and Professions in Ancient Greece and Rome, C. Roebuck, ed., Cambridge, Mass./London 1969, p. 257, fig. 1
Choes and Anthesteria, p. 81, cat. no. 176, fig. 22
J.-L. Durand, Sacrifice et labour en Grèce ancienne: Essai d'anthropologie religieuse, Paris/Rome 1986, p. 117, fig. 37
Straten, Hierà Kalá, p. 233, cat. no. V 161
N.G.L. Hammond and W. Moon, AJA 82, 1978, p. 375, figs. 3, 4
N. Slater in Nothing to Do with Dionysos? Athenian Drama in Social Context, J. Winkler and F. Zeitlin, eds., Princeton 1990, pl. 23
J. Schelp, Das Kanoun: Der griechische Opferkorb, esp. pp. 51-53
J. Bažant, The Sacrificial Basket in Vase Painting and Possible Persistence of Several Elements of Minoan-Mycenaean Religion in Classical Greece, Acta Universitatis Carolinae Philologia 1, 1974, pp. 61-86
ARV¹ 716, 6
ARV² 673, 8
Addenda 278
Drain
Talcott, Hesperia 8, 1939, p. 271
ARV² 930, 107
Webster, Hesperia 29, 1960, p. 255
Pickard-Cambridge, Dramatic Festivals, pp. 180-181
Hammond and Moon, AJA 82, 1978, p. 375
Aischylos, Seven against Thebes, lines 863-870
 470-460 B.C.
2nd quarter 5th B.C.
470 B.C.
450-460 B.C.
Mid 5th B.C.
 
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Agora 1, s. 30, p. 16Schweitzer, pp. 79ff., figs 99-104, 107-110
M. Bieber, History of the Greek and Roman Theater (Princeton, 1939), p. 323
Schweitzer, figs. 104, 109, 110
Schweitzer, pp. 83f.
Hinks, Greek and Roman Portrait Sculpture, 18 b (B.M. no. 1879)
Hinks, Greek and Roman Portrait Sculpture, p. 16
Richter, Roman Portraits, no. 8
Schweitzer, E 3, pp. 79, 81
F. Poulsen, Probleme der römischen Ikonographie, pp. 21f.
Schweitzer, pp. 79, 143
R. Carpenter, Hesperia, XX, 1951, pp. 42f.
Fragmentary Portrait Head of a Man (from a Relief)
24 Feb 19381st B.C. 
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Agora 6, s. 70, p. 58Well
Dump
Fill
Other
Kokolakis, Pantomimus, p. 40
Bieber, Greek and Roman Theater, pp. 241-242, fig. 796
fig. 4
fig. 3
 1st-2nd A.D.
2nd A.D.
Late 3rd-4th A.D.
3rd A.D.
1st half 3rd A.D.
 
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Agora 6, s. 84, p. 72Hesperia 10, 1941, p. 6, fig. 6
Hesperia 7, 1938, p. 356, fig. 44
Bieber, Greek and Roman Theater, p. 249, fig. 828
Pit
 3rd A.D.
1st half 3rd A.D.
1st A.D.
 
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Agora 6, s. 91, p. 79Well
Hesperia 8, 1939, p. 243, fig. 45
I.L.N.. July 9, 1938, p. 59, fig. 17
Miniature Sculpture, fig. 69
Bieber, Greek and roman Theater, p. 249, fig. 827b
Cistern
 Early 3rd A.D.
Mid 3rd A.D.
1st half 3rd A.D.
2nd half 3rd A.D.
2nd A.D.
1st half 3rd-mid 3rd A.D.
3rd A.D.
 
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Agora 14, s. 151, p. 126The Athenian Agora; Volume 014; The Agora of Athens; The History; Shape and Uses of an Ancient City Centre; Shrines; Ikria and Orchestra
Agora, 11, no. 128, pp. 79-81
A.W. Pickard-Cambridge, Theater of Dionysos, pp. 11-12
Agora, 003, pp. 162f., 220f.
R. Martin, Revue de Philologie, XXXI, 1957, pp. 72ff.
Beazley, A.B.V., p. 39, no. 16
M. Bieber, Greek and Roman Theater, Princeton, 1964, p. 54, fig. 220
Pollux, VII, 125
Agora, III, no. 528, p. 163
Hesperia, 22, 1953, p. 40
Hesperia, 29, 1960, p. 332
Athenaeus, IV, 167f.
Arch. Anz., 1965, cool. 309f.
Arch. Anz., cols. 37-38
Hesperia, 29, 1960, p. 336
   
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Agora 6, s. 33, p. 21Bieber, Greek and Roman Theater, figs. 225, 418
D.B. Thompson, A.J.A., LIV, 1950, p. 380
Hesperia 21, 1952, pp. 142
Weber, Terracotten, pl. XXX, 321
Webster, Studies for D.M. Robinson, I, pp, 590ff
Bieber, Greek and Roman Theater, p. 415, note 37
Bieber, Greek and Roman Theater, fig. 516-518
M.F. Squarciapino, Forme Ostiensi, pl. 18, fig .2
Corinth, XII, nos. 476, 477, 480
Scriptores Historiae Augustae, Ant. Elagabalus, XXII
   
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Agora 6, s. 34, p. 22Masks
Bieber, Greek and Roman Theater, pp. 413-415
V. Ratolo, Il Pantomimo, Studi e testi. Quaderni dell'Istituto di Filologia greca dell' Università di Palermo, Palermo, 1957
Kokolakis, Pantomimus
Iliffe, Jerash, pl. V, 71
Levi, Terracotte, p. 144, fig. 116
Calvi, p. 203, fig. 149
Reinach, Rép. des reliefs, III, p. 270, no. 2
L. Robert, Die Masken der Neuen attische Komoedia, XXV Hallisches Winckelmannsprogram, fig. 71; A.P. di Cesnola, Salaminia, London, 1882, figs. 239, 240
Walters, Terracottas, 55
Breccia, Terrecotte 1, pl. XXXVII, 3
P. Perdrizet, Les bronzes grecs d'Égypte de la collection Fouquet, Paris, 1911, pl. X, no. 35
G. Brusin, Il R. Museo Archaeologico di Aquileia, Rome, 1936, pl. 62
Loeschcke, Niessen, pl. CXX
H. von Petricovits, Troiaritt und Geranostanz, Beiträge zur älteren europäischen Kulturgeschichte, Festschrift für R. Egger, I, Klagenfurt, 1952, pp. 126-143, fig. 5
Bieber, Greek and Roman Theater, fig. 542
Breccia, Terrecotte, 1, pl. XXXVIII, 1
Bieber, Greek and Roman Theater, fig. 207
Bieber, Greek and Roman Theater, fig. 409
Bieber, Greek and Roman Theater, fig. 236-268
Breccia, Terrecotte, 1, pl. XXXVIII, 1,4,6,8 and pl. XXXVIII, 2, 4, 7, 9
Iliffe, Jerash, pl. V. no. 74