Icon
Name
Title
Date
Chronology
 
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Agora 23, s. 210, p. 194Group of the Early Olpai
ABV 14, 6
679, 8 bis
Paralip. 9, 6 and 8 bis
Oinochoai; Olpai; Type Uncertain; Mouth Lost
Fill
Other
ABV 14, 12
Pit
Louvre F 7
CVA, Louvre 6 [France 9], pl. 59 [398]:4, 5
Florence 3809
CVA, Florence 5 [Italy 42], pls. 9 [1873]:3, 4 and 11 [1875]
Amasis Painter
Well
Gnomon 30, 1958, p. 365
E. Vanderpool, Hesperia 15, 1946, pp. 126-127, no. 9, pl. 19:1
E. Vanderpool, Hesperia 15, 1946, p. 134, no. 28, pl. 23:6
KY Painter
ABV 14, 5
Komast Group
ABV 33, 7
Gorgon Painter
Oinochoai; Oinochoai
Oinochoai; Oinochoai; Shape 1
H. A. Thompson, Hesperia 25, 1956, p. 58, pl. 16:c
 Early 6th B.C.
550-540 B.C.
590 B.C.
3rd quarter of 6th B.C.
585-575 B.C.
540 B.C.
Early 5th B.C.
1st quarter of 6th B.C.
550 B.C.
 
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Agora 23, s. 260, p. 244Little-lion Class
ABV 513, 20
Lekythoi; The Lekythos Painters V; The Sappho Painter and the Diosphos Painter
Other
Paralip. 252
E. Vanderpool, Hesperia 15, 1946, p. 302, no. 137, pl. 51
Well
ABV 513, 33
E. Vanderpool, Hesperia 15, 1946, p. 300, no. 127, pls. 51, 52
Six's technique
Gazette archéologique 13, 1888, pp. 193-210
Kurtz, Athenian White Lekythoi, pp. 116-120
H. Juranek, Acta praehistorica et archaeologica 9-10, 1978-1979, pp. 107-108
ABV 513, 34
Paralip. 251, 34
E. Vanderpool, Hesperia 15, 1946, p. 300, no. 126, pl. 51
Louvre F 114
ABV 226
ABV 513, 35
E. Vanderpool, Hesperia 15, 1946, p. 302, no. 135, pl. 51
E. Vanderpool, Hesperia 15, 1946, p. 301, no. 132, pls. 51, 52
ABV 514, 46
 500 B.C. 
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P 12527Black Figure Olpe6 May 1938  
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Agora 12.2, s. 25, p. 398Hesperia, 24, 1955, pl. 36b
ARV 1324, 40
Agora Guide, pp. 175-176
Hesperia, 25, 1956, pp. 62-64, pls. 21-22
Cistern
Well
Choes, no. 185, figs. 381-382
Hesperia, 18, 1949, p. 342 under no. 144
Pyre
Agora , 5, p. 127
Hesperia, 8, 1939, pp. 246-266, nos. 1-31
ABV 155, 64
Pit
Hesperia, 4, 1935, pp. 476-523
Hesperia, 27, 1958, p. 159, note 25
Hesperia, 30, 1961, pp. 346-358
Choes, no. 205, fig. 163
Hesperia, 20, 1951, pp. 61-63, pls. 31-32
ABV 17, 43
Hesperia, 8, 1939, p. 229, fig. 25
ABV 174, 5
Hesperia, 15, 1946, pp. 126-127, pl. 19, 1, 9
Choes, no. 214, fig. 77
Hesperia, 20, 1951, pp. 50-51
Hesperia, 25, 1956, p. 61, pl. 19 c-g
Hesperia, 35, 1966, pp. 83-84
 Late 4th B.C.
430-400 B.C.
500 B.C.
3rd quarter 4th B.C.
600-550 B.C.
575-550 B.C.
550-525 B.C.
440-425 B.C.
520-480 B.C.
420-390 B.C.
3rd-4th quarter 7th B.C.
450-425 B.C.
600 B.C.
600-570 B.C.
End 4th B.C.
375-350 B.C.
525-500 B.C.
425-400 B.C.
 
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Agora 30, s. 359, p. 340Other
ARV² 139, 10
E. Vanderpool, Hesperia 15, 1946, p. 280, cat. no. 36, pl. 30
Themelis, Agora: Guide, fig. opp. p. 72
S. Roberts, Hesperia 55, 1986, pl. 15
ARV¹ 67, V, 1
ARV² 105, - , 1
Addenda 172
ARV² 140, 53
Well
H.A. Thompson, Hesperia 27, 1958, pl. 45:c
S. Roberts, Hesperia 55, 1986, p. 11, fig. 6
M. Kilmer, Greek Erotica on Attic Red-Figure Vases, London 1993, cat. no. R 31
E. Vanderpool, Hesperia 15, 1946, p. 287, cat. no. 56, pl. 36
ARV² 139, 8-9
C.H. Smith, Catalogue of the Greek and Etruscan Vases in the British Museum III, London 1896, p. 59
Beazley, Some Attic Vases in the Cyprus Museum, Proceedings of the British Academy 33, London 1948, pp. 29-30
ARV¹ 117, 36
ARV² 141, 68
K.J. Dover, Greek Homosexuality, Cambridge, Mass. 1978 on p. 122:R 31
ARV¹ 19, 7
ARV² 20, 1559
E. Vanderpool, Hesperia 15, 1946, p. 281, cat. no. 39, pl. 31
fig. 57
ARV¹ 116, 6
ARV² 139, 7
E. Vanderpool, Hesperia 15, 1946, p. 284, cat. no. 46, pl. 34
H.A. Thompson, Hesperia 23, 1954, pl. 15:g
ARV¹ 118, 10
 510-500 B.C.
510 B.C.
 
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Agora 30, s. 361, p. 342Other
E. Vanderpool, Hesperia 15, 1946, p. 280, cat. no. 35, pl. 30
Beck, Album, pl. 66:340
S. Roberts, Hesperia 55, 1986, p. 8, fig. 5
ARV² 822, 12
E. Vanderpool, Hesperia 15, 1946, p. 280, sub cat. no. 35 and 37
B. Sparkes, Kottabos: An Athenian After-Dinner Game, Archaeology 13, 1960, pp. 202-207
N. Hoesch in Kunst der Schale, pp. 272-275
L. Talcott, Hesperia 2, 1933, pp. 225, fig. 5 and 229, fig. 6
Oakley, Phiale Painter
H. Philippart, Les coupes attiques à fond blanc, Brussels 1936, pl. 6
H. Diepolder, Der Penthesilea-Maler, Leipzig 1936, pl. 2:1
ARV¹ 67, V, 3
ARV² 105, 3
B. Neutsch, MarbJb 14, 1949, p. 11, fig. 13
M. Wegner, Musikgeschichte in Bildern, II, Musik des Alterums, iv, Griechenland, Leipzig 1964, fig. 58
Addenda 172
J. Mertens, MetMusJ 9, 1974, p. 102, fig. 23
Guide (1976), p. 244, fig. 127
Themelis, Agora: Guide, fig. opp. p. 74
Mertens, Attic White-Ground, pl. 34:1
A. Belis, BCH 109, 1985, p. 214, fig. 15
Robertson, AVP, p. 155, fig. 161
E. Vanderpool, Hesperia 15, 1946, p. 280, sub cat. no. 34, pl. 30
ARV¹ 67, V, 4
ARV² 105, 4
ARV¹ 923
ARV² 1578
Addenda 389
Well
MetMusJ 9, 1974, pp. 101-108
L. Talcott, Hesperia 24, 1955, pl. 33:c
Themelis, Agora: Guide, fig. opp. p. 70
S. Roberts, Hesperia 55, 1986, p. 13, cat. no. 14, p. 14, fig. 8, pl. 3
E. Vanderpool, Hesperia 15, 1946, p. 279, sub cat. no. 33, pl. 30
ARV¹ 67, V, 2
ARV² 105, 2
 470-460 B.C.
510 B.C.
480 B.C.
 
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Agora 23, s. 221, p. 205Group of Vatican G. 52
Vatican G. 52
ABV 460, 9
ABV 461, 33
Lekythoi; The Lekythos Painters I; Chiefly Earlier
Burial
Well
R. Young, Hesperia 20, 1951, p. 101, Grave 19, no. 2, pl. 46:a 2
ABV 460, 10
Other
R. Young, Hesperia 20, 1951, p. 101, Grave 19, no. 5, pl. 46:a 5
E. Vanderpool, Hesperia 7, 1938, p. 399, no. 34, p. 400, fig. 36
ABV 460, 11
ABV 461, 16
T. L. Shear, Hesperia 10, 1941, p. 2, fig. 1
R. Young, Hesperia 20, 1951, p. 94, Grave 12, no. 1, pl. 42:a 1
R. Young, Hesperia 20, 1951, p. 94, Grave 12, no. 2, pl. 42:a 2
ABV 461, 17
G. Ahlberg-Cornell, Herakles and the Sea-monster in Attic Black-figure Vase-painting [Skrifter Utgivna av Svenska Institutet i Athen XXXIII], Stockholm 1984
R. Young, Hesperia 20, 1951, p. 94, Grave 12, no. 3, pl. 42:a 3
Fill
ABV 461, 18
E. Vanderpool, Hesperia 15, 1946, pp. 128-129, no. 12, pl. 21:1-3
Kurtz, Athenian White Lekythoi, pl. 1:2
R. Young, Hesperia 20, 1951, p. 98, no. 1, pl. 44:d 1
 Late 3rd quarter of 6th B.C.
520 B.C.
530-520 B.C.
 
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Agora 23, s. 119, p. 103One-Piece Amphorae; Panel Amphorae
The Horse-head Amphorae
ABV 16, 9
Other
Gorgon Painter
Athens, N.M. 296
ABV 24, 7
Boston, M.F.A. 97.366
E. Vanderpool, Hesperia 7, 1938, p. 372, no. 3, fig. 5
ABV 25, 19
M. Picozzi, Studi Misc. 18, 1971, p. 17, no. 14, pl. 13
Sophilos
A. Birchall, JHS 92, 1972, p. 51, B 6
KX Painter
ABV 16, 11
Painter of the Syracuse Horse-head
Fill
M. Picozzi, Studi Misc. 18, 1971, p. 44, no. 88, pl. 64
A. Birchall, JHS 92, 1972, p. 60, U II, 24
Well
M. Picozzi, Studi Misc. 18, 1971, p. 18, no. 16, pl. 14
A. Birchall, JHS 92, 1972, p. 58, U II, 5
E. Vanderpool, Hesperia 8, 1939, p. 260, fig. 16:17 and p. 261, no. 17
Bakir, Sophilos, pl. 64, fig. 125
ABV 16, 10
ABV 39, 8
E. Vanderpool, Hesperia 15, 1946, p. 124, no. 5, pl. 16:2
E. Vanderpool, Hesperia 15, 1946, p. 126, no. 7, pl. 17:4
Bakir, Sophilos, pl. 79, fig. 157
Group E
New York, M.M.A. 56.171.12
ABV 134, 22
Paralip. 55, 22
St. Audries Painter
New York, M.M.A. 56.171.8
ABV 313, 1
Paralip. 136, 1
Munich 1403
ABV 313, 2
Paralip. 136, 2
 1st quarter of 6th B.C.
Late 1st quarter of 6th B.C.
Early 6th B.C.
2nd quarter of 6th B.C.
1st half of 6th B.C.
580 B.C.