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Name
Title
Date
Chronology
 
 Agora XXX, no. 1067  Probably mid-5th century B.C. 
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Agora 23, s. 143, p. 127Neck-Amphorae; Standard Neck-Amphorae
Well
CVA, Munich 8 [Germany 37], pl. 383 [1801]:1
Munich 1557
Painter of Boulougne 441
Boulougne 441
ABV 290, -, 3
CVA, Munich 8 [Germany 37], pl. 395, [1813]:1
Lysippides Painter
Munich S.L. 458
ABV 259, 18
CVA, Munich 7 [Germany 32], pl. 359 [1753]
London, B.M. B 208
ABV 260, 29
Paralip. 114, 29
Florence 3790
ABV 260, 30
Altenburg 216
Paralip. 116, 31 ter
ABV 261, 36
Paralip. 115, 36
Rycroft Painter
ABV 336, 7
Pit
C. Dugas, "La mission de Triptolème d'après l'imagerie athénienne," Mélanges d'archèologie et histoire 62, 1950, pp. 7-31
Recueil Ch. Dugas, Paris 1960, pp. 123-129
C. Dugas, "La mission de Triptolème d'après l'imagerie athénienne," Mélanges d'archèologie et histoire 62, 1950, pp. 23-24
Recueil Ch. Dugas, pp. 132-134
Athens, N.M. 430
Beldam Painter
ABV 587, -, 1
Prague 1867
Emporion Painter
ABV 708, 19
Paralip. 291, 19
Edinburgh Painter
Hearst 9520
ABV 478, IV, 2
Paralip. 217, IV, 2
London, B.M. B 170
Leagros Group
ABV 368, 101
Paralip. 163, 242
ABL, p. 220, no. 87
ABV 671
Cleveland 29.135
Acheloös Group
ABV 377, 242
CVA, Cleveland 1 [USA 15], pl. 19 [699]
Kleophrades Painter
ARV (2) 194[a], 2
Berlin 1720
ABV 143, 1
Paralip. 59, 1
Berlin 1718
ABV 144, 5
London, B.M. B 273
CVA, London 4 [GB 5], pl. 67 [212]:3
Antimenes Painter
Munich 1555
ABV 271, 79
Paralip. 118. 79
CVA, Munich 8 [Germany 37], pl. 386 [1804]:1
London, B.M. B 274
ABV 272, 95
Munich 1481
CVA, Munich 8 [Germany 37], pl. 424 [1842]:3
Munich 1575
ABV 256, 16
CVA, Munich 8 [Germany 37], pl. 364 [1782]:1
Munich 1562
Mastos Painter
CVA, Munich 8 [Germany 37], pl. 376 [1794]:1
Munich 1560
Longnose Painter
ABV 327, 5
 4th quarter of 6th B.C.
520-510 B.C.
530-520 B.C.
510-500 B.C.
500 B.C.
 
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Agora 23, s. 84, p. 68Segment Class
Top-band Stemless
Cups; Type Uncertain
C Painter
Leafless Group
Bowl
Turin 4112
Turin 5776
ABV 214, 50
CVA, Turin 2 [Italy 40], pl. 2 [1786]
H. Bloesch, Formen attischer Schalen von Exekias bis zym Ende des sgrengen Stils, Bern 1940, pp. 118-119
ABV 212-215, 1-60, 690, 21 bis, 21 ter, and 46 bis
Paralip. 102-103
V. Poulsen, "Eine attische Augenschale," Opus nobile. Festschrift zum 60. Geburtstag von Ulf Jantzen, Wiesbaden 1969, pp. 125-128
London, B.M. B 458
ABV 213, 28
ABV 213, 29 and 214, 48
K. Schauenburg, "Zu einter Segmentschale in der Kieler Antikensammlung," Rivista di Archeologia 1, 1977, pp. 16-18
Vatican 244
ABV 213, 30
Paralip. 103, 38 ter
C. M. Stibbe, Lakonische Vasenmales des sechsten Jahrhunderts v. Chr., Amsterdam 1972
Agora XII, pp. 128-138
Hamburg 1962.171
Paralip. 103, 22 bis
Amasis Painter
ABV 156, 78
CVA, Hamburg 1 [Germany 41], pl. 44 [2010]
Heidelberg 285
Akropolis 1241
ABV 156, 79
Elbows Out
ABV 213, 31
ABV 250, 19
   
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Agora 30, s. 186, p. 167ARV¹ 372, 39
ARV² 566, 11
Ostraka
H.A. Thompson, Hesperia 18, 1949, pl. 45:4
ARV² 567, 2
Paralip. 390, 2
Addenda 261
ARV² 569, 53
ARV² 567, 5
ARV² 273, 14
ARV² 273, 15
ARV² 273, 19
Addenda 207
Pit
Paralip. 354, 39 bis
ARV² 276, 80
Addenda and Corrigenda, p. 1939
ARV¹, p. 396
Agora 25, cat. no. 857
ARV² 563, 10
Addenda 260
Agora 25, p. 102
K. Zimmermann, JdI 95, 1980, p. 179, fig. 15
Prange, Niobidenmaler, p. 216, cat. no. GN 59
K. Zimmermann, Tätowierte Thrakerinnen auf grieschischen Vasenbildern, JdI 95, 1980, pp. 163-196
Hesperia Suppl. 25, p. 69, sub cat. no. 32
ARV² 612, 44
Addenda 268
W.B. Dinsmoor, Hesperia Suppl. 5, p. 136, fig. 63:15
ARV² 613, 1
Paralip. 397, 1
ARV² 1029, 21
Paralip. 442, 21
ARV² 570, 55
Addenda 317
Matheson, Polygnotos, p. 351, cat. no. P 23, pl. 51
 470-460 B.C.
480 B.C.
490-480 B.C.
1st quarter 5th B.C.
470 B.C.
460-450 B.C.
 
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Agora 30, s. 37, p. 18Lebetes Gamikoi
Richter and Milne, Shapes and Names, p. 11
F. Harl-Schaller, JOAI Beiblatt 50, cols. 157-180
D.M. Robinson, AJA 40, 1936, pp. 507-519
J. Boardman, BSA 47, 1952 [p. 1-48], pp. 31-32
J. Boardman, BSA 53-54, 1958-1959 [p. 152-181], pp. 161-162
F. Harl-Schaller, Zur Entstehung und Bedeutung des attischen Leebs gamikos, JOAI Beiblatt 50, 1972-1975, cols. 151-170
Agora 023, pp. 27-29
ARV² 1103, 6
Paralip. 451, 6
Addenda 329
ARV² 1322, 18
Paralip. 478, 18
ARV² 1250, 34
Paralip. 469, 34
Addenda 354
Addenda 363
Burn, Meidias Painter, p. 107, cat. no. MM 28, pl. 48 a-c
Lezzi-Hafter, Eretria-Maler, p. 347, cat. no. 257, pls. 168:a
Délos XXI, pl. 47:99
Oakley and Sinos, Wedding-Athens, fig. 129
ARV² 1277, 23
Addenda 357
Oakley and Sinos, fig. 75
ARV² 26, 19
Ginouvés, Balaneutiké, p. 277
Addenda 204
Harl-Schaller, col. 154, note 10
Lezzi-Hafter, Eretria-Maler, pp. 259-260, note 467
ARV² 514, 2
Paralip. 382, 2
Paralip. 454, 3 bis and 3 ter
Addenda 332
Boardman, BSA 53-54 (note 1 above), pp. 161-162
Ginouvés, Balaneutiké, pp. 276-282, p. 282
ARV² 548, 43
A. Brückner (AM 32), 1907 [pp. 79-122], pp. 98-99
ARV² 1250, 32
Paralip. 469, 32
Lezzi-Hafter, Eretria-Maler, p. 346, cat. no. 253, pls. 163:a and 164
ARV² 1135, 1
Boardman, BSA 53-54, note 1, p. 161
H. Kenner, JOAI 29, 1935 [pp. 109-154], p. 152
   
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Agora 30, s. 42, p. 23Volute-Kraters
Kunst der Antike: Galerie Günter Puhze 1, 1977, no. 131
ARV² 1642, 39 ter
Cat. Sotheby's 2-3 Dec., 1982, no 131
ARV² 585, 27
Paralip. 393, 27
Addenda 263
Cat. Christie's nov. 28, 1979, no. 52, pl.19
NumAntClass 11, 1982, pp. 9-31, esp. p. 16
Borowski, NumAntClass 11, 1982, p. 27, figs. 27-29
Borowski, NumAnt-Class 11, 1982, p. 27, figs. 27-29
ARV² 511, 5
Paralip. 382, 5
Addenda 252
ARV² 516, 5
Addenda 253
ARV² 563, 10
Addenda 260
ARV² 253, 54
Addenda 203
ARV² 234, 11
ARV² 234, 1
Addenda 200
ARV² 278, 1
Addenda 207
CVA, Baltimore 1 [USA 28], pl. 13 [1245]:1
CB ii, p. 80
S. Karouzou, BCH 79, 1955 [pp. 177-204], pp. 200-201
F. Hitzl, Die Entstehung und Entwicklung des Volutenkraters von den frühesten Anfängen bis zur Ausprägung des kanonischen Stils in der attisch schwarzfigurigen Vasenmalerei, Frankfurtam-Main 1982[Archäologische Studien 6]
   
 Agora XXX, no. 1404  Ca. 510-500 B.C. 
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Agora 23, s. 228, p. 212S. R. Roberts, Hesperia 55, 1986, p. 36, no. 102, fig. 26
Gela Painter
ABV 715, - 9 bis
Paralip. 214, 9 bis
Lekythoi; The Lekythos Painters II; The Gela Painter
Well
BCH 79, 1955, p. 214, fig. 2:1
S. R. Roberts, Hesperia 55, 1986, p. 36, no. 101, fig. 25, pl. 10
ABV 715, 16 ter
ABV 715, 11 bis
Paralip. 214, 11 bis
Other
E. Vanderpool, Hesperia 15, 1946, p. 298, no. 119, pl. 50
ABL, p. 207, no. 35
ABV 473, 35
E. Vanderpool, Hesperia 15, 1946, p. 298, no. 117, pl. 49
ABL, p. 209, no. 97
ABV 473, 97
ABV 474, 16
E. Vanderpool, Hesperia 15, 1946, p. 298, no. 118, pls. 49, 50
 500 B.C.
490 B.C.
 
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Agora 23, s. 51, p. 35Exekias
Hydriai
Analatos Painter
KX Painter
Villa Giulia 50599
ABV 146, 20
ABV 714
Paralip. 32, 2 bis
K. Stähler, JOAI 49, 1968-1971, pp. 79-113
M. B. Moore, AJA 84, 1980, p. 432 and notes 125, 126
Louvre E 874
Gorgon Painter
ABV 8, 1
Paralip. 6, 1
London, B.M. 1971.11-1.1
Sophilos
Paralip. 19, 16 bis
Bakir, Sophilos, pls. 1, 2
D. Williams, "Sophilos in the British Museum," Greek Vases in the J. Paul Getty Museum 1, 1983, pp. 33-34
Leipzig T 49
CVA, Leipzig 2 [DDR 2], pl. 24 [85]:3
Vatican 306
Albizzati, p. 102
Heidelberg 72/1
AA (JdI 92), 1977, p. 29, fig. 11
Hanover 1965.30
Würzburg 453
Langlotz, pl. 129
Brussels R 222
CVA, Brussels 1 [Belgium 1], pl. 2 [13]"1
Antimenes Painter
Paralip. 119, 27 ter
Louvre E 720
CVA, Louvre 2 [France 2], pl. 1 [73]:1
CVA, Hannover 1 [Germany 34], pl. 19 [1651]:1
Boston, M.F.A. 90.154
Munich 1722
ABV 269, 33
CVA, Boston 2 [USA 19], pl. 65 [899]:2-4
Heidelberg 63/20
London, B.M. B 307
Leagros Group
CVA, Heidelberg 4 [Germany 31], pl. 179 [1518]:4, 5
ABV 361, 17
New York, M.M.A. 06.1021.50
Red-line Painter
ABV 606, 21
E. Fölzer, Die Hydria. Ein Beitrag zur griechischen Vasenkunde, Leipzig 1906
J. N. Coldstream, Greek Geometric Pottery, London 1968, pp. 59-60
Richter and Milne, Shapes and Names, pp. 11-12
J. Cook, BSA 35, 1934/1935, pp. 165-169
E. Diehl, Die Hydria: Formgeschichte und Verwendung im Kult des Altertums, Mainz 1964
J. Cook, BSA 35, 1934/1935, pp. 212-219
Agora VIII, pp. 34-35
Athens, N.M. 313
J. Cook, BSA 35, 1934/1935, pls. 38:b, 39
Gnomon 37, 1965, pp. 599-608
Agora XII, p. 53
ABV 25, 18
E. Fölzer, Die Hydria. Ein Beitrag zur griechischen Vasenkunde, Leipzig 1906, p.10
Bothmer, Studies in Classical Art and Archaeology. A Tribte to Peter Heinrich von Blanckenhagen, New York 1979, p. 63
Priam Painter
Boulogne 406
ABV 332, 21
London, B.M. B 332
ABV 333, 27
Vatican 417
Acheloös Painter
ABV 384, 26
Painter of London B 76
London B 76
ABV 85, 1
Paralip. 32, 1
New York, M.M.A. 45.11.2
CVA, New York 4 [USA 16], p. 45
ABV 85, 2
Copenhagen 13536
   
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Agora 23, s. 200, p. 184Hydriai; Shouldered Hydriai
Well
CVA, Louvre 11 [France 18], pl. 142 [815]:1
S. R. Roberts, Hesperia 55, 1986, p. 47, no. 321, pl. 12
Boston, M.F.A. 28.46
ABV 261, 38
CVA, Boston 2 [USA 19], pl. 79 [913]:2
Pit
Louvre F 241
Acheloös Painter
ABV 383, 5
Other
Louvre F 52
Eye-siren Group
ABV 287, 14
B. Dunkley, BSA 36, 1935/1936, pp. 142-204
Toledo 1961.23
Priam Painter
R. Ginouvès, Balaneutikè. Recerches sur le bain dans l'antiquité grecque, Paris 1962, chap 1
Paralip. 147, 5 ter
CVA, Toledo 1 [USA 17], pl. 23 [803]:2
J. Boardman, RA, 1972, p. 68
London, B.M. B 329
ABV 334, 1
 530-520 B.C.
510 B.C.
520 B.C.
520-510 B.C.
Late 6th B.C.
 
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Agora 30, s. 73, p. 54Lekanides
ARV² 81, 1
Addenda 169
ARV² 81, 2
ARV² 81, 3
Richter and Milne, Shapes and Names, pp. 23-24
ARV² 81, 4
ARV² 81
Hesperia Suppl. 10, pp. 10-11
Agora 012, pp. 164-173
Agora 012, pp. 164-168
Agora 023, pp. 51-53
ARV² 312, 1
ARV² 312, 2
Agora 012, pp. 167-168
Clara Rhodos 6-7, 1932-1933, pp. 516-517, figs. 45, 46
ARV² 390
ARV² 410, 64
Agora 012, pp. 168
A. Kossatz-Deissmann, JdI 97, 1982 [pp. 65-90], p. 77, fig. 15
ARV² 212, 215
Addenda 196
A. Kossatz-Deissmann, JdI 97, 1982, pp. 75-76, note 43
ARV² 1314, 17-18
Agora 012, p. 177
Paralip. 477
Addenda 362
ARV² 1326-1327, 77-90
Paralip. 478
Addenda 364
   
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Agora 30, s. 356, p. 337fig. 56
Pit
ARV² 110, 9
ARV¹, 79, -
ARV² 118, 14
ARV² 329, 129
Addenda 217
Paralip. 333, 9 ter
ARV² 97, 12
Addenda 171
ARV² 98, 16
Paralip. 330
Well
ARV² 60, 67
Paralip. 327, 67
 510 B.C. 
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Agora 30, s. 60, p. 41Oinochoai; Shape 3; Chous
J.R. Green, Choes of the Later Fifth Century, BSA 66, 1971, pp. 189-228
ARV² 689, 256
ARV² 689, 257
ARV² 606, 83
Paralip. 267
Prange, Niobidenmaler, p. 202, cat. no. N 104, Pl. 31
J.R. Green, BICS 19, 1972 [pp. 1-16], pp. 6-7
Lezzi-Hafter, Schuwalow-Maler, pp. 13-15
ARV² 607, 84
Agora 012, pp. 60-63
Prange, Niobidenmaler, p. 202, cat. no. N 105
ARV² 607, 85
Prange, Niobidenmaler, p. 202, cat. no. N 106
ARV² 607, 86
Prange, Niobidenmaler, p. 202, cat. no. N 107
ARV² 607, 87
Prange, Niobidenmaler, p. 203, cat. no. N 108
D. von. Bothmer, The Amasis Painter and His World, pp. 154-155, cat. no. 33
Prange, Niobidenmaler, p. 203, cat. no. N 109
Agora 023, p. 42
ARV² 118, 2
Paralip. 332, 2
Addenda 174
Agora 010, p. 58
ARV² 210, 186
Agora 010, p. 62, LM 8 and 9
Paralip. 343, 186
Addenda 196
ARV² 242, 78
Addenda 202
ARV² 544, 66
ARV² 544, 67
ARV² 595, 72
Paralip. 513
Addenda 265
ARV² 666, 6
L. Deubner, Attische Feste, Berlin 1932, pp. 93-123, esp. pp. 96-100
ARV² 688, 255
S.Karouzou, Choes
   
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Agora 30, s. 196, p. 177ARV² 189, 76
Ashmead, Hesperia 35, 1966, p. 29
Paralip. 341, 76
Addenda 189
A. Kossatz-Deissmann, LIMC I, 1981, pp. 111-112, no. 462
P. Hellström, Achilles in Retirement, Medelhavsmuseet, The Museum of Mediterranean and Near Eastern Antiquities, Stockholm, 25, 1990, pp. 19-31
A. Kossatz-Deissmann, LIMC I, 1981, pp. 106-114
ARV² 458, 2
Paralip. 377, 2
Addenda 243
Denoyelle, Chefs-d'oeuvre-Louvre, pp. 132-133, cat. no. 61
ARV² 406, 1
Paralip. 371, 1
Addenda 232
CVA, London 9, Great Britain 17, pl. 73, 849
E. Touloupa, New Perspectives, pp. 241-271, pp. 257-261
Ashmead, Hesperia 35, 1966, p. 29-30
ARV² 185, 39
Paralip. 340, 39
Boardman, AK 19, 1976, p. 4
Ashmead, Hesperia 35, 1966, p. 10:o
A. Bélis, BCH 110, 1986, p. 213, fig. 12
H.J. Mette, Der verlorene Aischylos Berlin 1963, p. 118
B. Döhle, Die Achilles des Aischylos in ihrer Auswirkung attischen Vasenmalerei des 5. Jahrhunderts, Klio 49, 1967, pp. 63-143, esp. pp. 125-136
Bothmer, Amazons in Greek Art, Oxford 1957, p. 156
A. Kossatz-Deissmann, LIMC I, pp. 122-128 where on p. 127, no. 541
Ashmead, Hesperia 35, 1966, p. 28 and note 58
ARV² 62, 77
Paralip. 327, 77
Addenda 165
ARV² 186, 51
Addenda 188
Ashmead, Hesperia 35, 1966, p. 26
Corbett, p. 25, note 25a
 480 B.C. 
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Agora 23, s. 231, p. 215The Class of Athens 581; i
ABV 716, 75 bis
Paralip. 223, 75 bis
Paralip. 224
Lekythoi; The Lekythos Painters IV; The Class of Athens 581; i
Well
ABV 716, 97 ter
Paralip. 225
S. R. Roberts, Hesperia 55, 1986, p. 38, no. 118, pl. 11
ABV 716, 97 bis
 500-490 B.C. 
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Agora 23, s. 129, p. 113Frel, PPA, p. 11, fig. 7
Baltimore 48.13
Journal of the Walters Art Gallery 3, 1940, p. 114, fig. 6
Würzburg 261
Langlotz, pl. 72
One-Piece Amphorae; Panel Amphorae
Well
Painter of Boulogne 441
Boulogne 441
ABV 290, 1
Munich 1461
N. Gardiner, Athletics in the Ancient World, Oxford 1955, fig. 164
Hypobibazon Class
Paralip. 150
Other
Rycroft Painter
Munich 1720
ABV 337, 24
Hamburg 1917.476
ABV 337, 25
CVA, Hamburg 1 [Germany 41], pl. 25 [1991]:2
New York, M.M.A. 06.1021.67
ABV 338
Paralip. 148, 5 ter
Boston, M.F.A. 01.8060
Karithaios Painter
ABV 161
CVA, Boston 2 [USA 19], pl. 78 [912]:2
London, B.M. B 303
Class of Munich 2418
Munich 2418
ABV 342, 2
Cambridge 56
Leagros Group
ABV 364, 52
Philadelphia 2493
Class of Vatican G. 47
Vatican G. 47
ABV 429, 3
Leipzig T 49
CVA, Leipzig 2 [DDR 2], pl. 23 [84]
Bologna 41292
CVA, Bologna 2 [Italy 7], pl. 7 [306]:4
E. Vanderpool, Hesperia 15, 1946, p. 123, no. 3, pl. 14:4
Kerameikos PA 443
 520 B.C.
520-510 B.C.
510 B.C.
 
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Agora 23, s. 323, p. 307Cups; Type A and Sub-A
Other
Villa Giulia, 63613
Berlin 3210
ABV 151, 21
Paralip. 63, 21
Bothmer, Amasis Painter, p. 49, fig. 45
Cab. Méd. 222
ABV 152, 25
Paralip. 63, 25
Bothmer, Amasis Painter, pp. 125-129, cat. no. 23
ABV 151, 18
Paralip. 63, 18
Bothmer, Amasis Painter, p. 109, fig. 67
Well
Haimon Painter
ABV 564, 583
Leafless Group
ABV 716, 66 ter
H. A. Thompson, Hesperia 23, 1954, p. 51, pl. 15:i
 Early 5th B.C.
540-530 B.C.
530-510 B.C.
490-470 B.C.
4th quarter of 6th B.C.
 
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Agora 23, s. 212, p. 196Oinochoai; Oinochoai; Shape 1
Polos Painter
Paralip. 21
Well
E. Vanderpool, Hesperia 8, 1939, p. 256, fig. 12
Class of the Oxford Siren-jug
ABV 420
Leagros Group
Cab. Méd. 257
ABV 363, 47
Vatican 416
ABV 365, 65
Paralip. 162, 65
Other
H. A. Thompson, Hesperia, Suppl. IV, Baltimore 1940, p. 29, fig. 21
E. Vanderpool, Hesperia 15, 1946, p. 312, no. 206, pl. 62
Painter of the Rhodes Pelike
ABV 608, 4
Flat-mouthed Oinochoai (Other than Olpai), A
ABV 442, A 4
H. A. Thompson, AJA 37, 1933, p. 292, fig. 2
 2nd quarter of 6th B.C.
3rd quarter of 6th B.C.
510-500 B.C.
Early 5th B.C.
 
 Agora XXIX, no. 1574  1st-century context 
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Agora 30, s. 182, p. 163Ostraka
ARV² 248, 2
Addenda 202
ARV² 1639, to p. 249, 3
ARV² 249, 3
Addenda 203
ARV² 250, 16
ARV² 241, 59
ARV² 241, 61
ARV¹ 172, 3
ARV² 241, 53
ARV² 241, 52
Paralip. 349, 52
Well
ARV¹ 172, 5
ARV² 242, 69
O. Theofanopoulou, Αρχαιολογία 45, 1992, pp. 6-13, figs. 1-9
Pit
ARV¹ 172, 4
ARV² 242, 70
ARV² 275, 260
Addenda 207
ARV² 275, 61
ARV² 274, 37
Paralip. 353, 37
ARV² 273, 14
ARV² 241, 58:a, b
 500-490 B.C.
490-480 B.C.
490 B.C.
470 B.C.
480 B.C.