Paralip. 196, 1 ter - ASCSA.net Search

Well
Burn, Meidias Painter, p. 115, cat. no. MM 122
ARV² 1327, 81
ARV² 212, 215
Addenda 196
ARV² 490, 125
Paralip. 379, 125
Addenda 249
ARV² 607, 89
Prange, Niobidenmaler, p. 204, cat. no. N 112, pl. 1

Late 5th B.C.
Early 4th B.C.
Late 5th-early 4th B.C.
430 B.C.
4th B.C.
410 B.C.
Mid 5th B.C.

Agora 30, s. 42, p. 23

Volute-Kraters
Kunst der Antike: Galerie Günter Puhze 1, 1977, no. 131
ARV² 1642, 39 ter
Cat. Sotheby's 2-3 Dec., 1982, no 131
ARV² 585, 27
Paralip. 393, 27
Addenda 263
Cat. Christie's nov. 28, 1979, no. 52, pl.19
NumAntClass 11, 1982, pp. 9-31, esp. p. 16
Borowski, NumAntClass 11, 1982, p. 27, figs. 27-29
Borowski, NumAnt-Class 11, 1982, p. 27, figs. 27-29
ARV² 511, 5
Paralip. 382, 5
Addenda 252
ARV² 516, 5
Addenda 253
ARV² 563, 10
Addenda 260
ARV² 253, 54
Addenda 203
ARV² 234, 11
ARV² 234, 1
Addenda 200
ARV² 278, 1
Addenda 207
CVA, Baltimore 1 [USA 28], pl. 13 [1245]:1
CB ii, p. 80
S. Karouzou, BCH 79, 1955 [pp. 177-204], pp. 200-201
F. Hitzl, Die Entstehung und Entwicklung des Volutenkraters von den frühesten Anfängen bis zur Ausprägung des kanonischen Stils in der attisch schwarzfigurigen Vasenmalerei, Frankfurtam-Main 1982[Archäologische Studien 6]

Agora 23, s. 205, p. 189

Trefoil Olpai
Paralip. 192
Oinochoai; Olpai; Trefoil Mouth
Other
E. Vanderpool, Hesperia 7, 1938, pp. 381-384, no. 14, figs. 18-20 and p. 387, fig. 23
S. Karouzou, Amasis Painter, p. 41
M. Cremer, AA (JdI 96), 1981, pp. 327-328
Amasis Painter
ABV 714, 31 bis
Paralip. 64, 31 bis
Oinochoai; Olpai; Mouth Not Trefoil
Louvre F 30
ABV 152, 29
E. Vanderpool, Hesperia 15, 1946, p. 311, no. 199, pl. 60
Paralip. 63, 29
Bothmer, Amasis Painter, pp. 140-142, cat. no. 27
Würzburg 332
ABV 152, 30
Paralip. 63, 30
Bothmer, Amasis Painter, pp. 143-144, cat. no. 28
London, B.M. B 471
ABV 153, 32
Paralip. 64, 32
Bothmer, Amasis Painter, pp. 150-152, cat. no. 31
New York, M.M.A. 59.11.17
Other Red-bodied Olpai: Various Models; Various Painters
ABV 698, 3 bis
Paralip. 66
Bothmer, Amasis Painter, pp. 147-149, cat. no. 30
ABV 451, 11
Oxford 1929.19
ABV 153, 38
Bothmer, Amasis Painter, pp. 145-146, cat. no. 29
Louvre F 28
ABV 199, 1
Paralip. 196, 1 ter
E. Vanderpool, Hesperia 7, 1938, no. 20, p. 386, fig. 22, p. 387, fig. 23, and p. 388
ABV 445, 5
Well
H. A. Thompson, Hesperia 25, 1956, p. 62, pl. 20
AA (JdI 96), 1981, p. 328, fig. 11
Bothmer, Amasis Painter, p. 149, fig. 89
Honolulu Class
Copenhagen V 20
Budapest 51.95
Pit

550 B.C.
540-530 B.C.
550-540 B.C.
530-520 B.C.

Agora 23, s. 142, p. 126

The Rycroft Painter
Oxford 1965.118
ABV 335, 1
Paralip. 148, 1
CVA, Oxford 3 [GB 14], pl. 35 [650]
Boston, M.F.A. 98.919
ABV 335, 3
Paralip. 148, 3
CVA, Boston 1 [USA 14], pl. 14 [636]
New York, M.M.A. 06.1021.67
Paralip. 148, 5 ter and 150
Worcester 1956.83
ABV 335, 5 bis
Paralip. 148, 5 bis
Buitron, New England Collections, pp. 44-45, no. 17
Louvre C 11278
Paralip. 149, 23 quater
Munich 1720
ABV 337, 24
Neck-Amphorae; Neck-Amphorae of Panathenaic Shape
Well
Agora A-P 296
Akropolis 674 a-d
Hesperia 4, 1935, p. 229, no. 16 and p. 227, fig. 6
Pit
Eucharides Painter
Neck-Amphorae; Standard Neck-Amphorae
Fill
W. B. Dinsmoor, Hesperia, Suppl. V, Baltimore 1941, p. 130, fig. 57:5
Böhr, Schaukelmaler, pl. 145:e
The Swing Painter
ABV 310, 105

530 B.C.
510-500 B.C.
530-520 B.C.
Last quarter of 6th B.C.
520 B.C.
540-530 B.C.
540 B.C.

Agora 23, s. 231, p. 215

The Class of Athens 581; i
ABV 716, 75 bis
Paralip. 223, 75 bis
Paralip. 224
Lekythoi; The Lekythos Painters IV; The Class of Athens 581; i
Well
ABV 716, 97 ter
Paralip. 225
S. R. Roberts, Hesperia 55, 1986, p. 38, no. 118, pl. 11
ABV 716, 97 bis

500-490 B.C.

Agora 30, s. 82, p. 63

Skyphoi; Type B
ARV2 66, 134
ARV2 63, 136
ARV² 832, 31
Addenda 295
ARV² 974, 26
Addenda 309
ARV² 213, 241
Addenda 196
ARV² 661, 86
Paralip. 403, 86
Addenda 277
ARV² 1278, 27
ARV² 877-971
Paralip. 428-435
J. Oakley, AJA 93, 1988 [pp. 383-391], p. 387, fig. 5
Addenda 300-309
ARV² 1278, 27-34
Paralip. 472-473
ABV 518-520
Paralip. 255-259
Addenda 129-130
ARV² 1300-1302, 1-26
Paralip. 475
Addenda 360
ABV 617-623
Paralip. 306-308
Addenda 144
AJA 58, 1954, pp. 191-207

Agora 23, s. 84, p. 68

Segment Class
Top-band Stemless
Cups; Type Uncertain
C Painter
Leafless Group
Bowl
Turin 4112
Turin 5776
ABV 214, 50
CVA, Turin 2 [Italy 40], pl. 2 [1786]
H. Bloesch, Formen attischer Schalen von Exekias bis zym Ende des sgrengen Stils, Bern 1940, pp. 118-119
ABV 212-215, 1-60, 690, 21 bis, 21 ter, and 46 bis
Paralip. 102-103
V. Poulsen, "Eine attische Augenschale," Opus nobile. Festschrift zum 60. Geburtstag von Ulf Jantzen, Wiesbaden 1969, pp. 125-128
London, B.M. B 458
ABV 213, 28
ABV 213, 29 and 214, 48
K. Schauenburg, "Zu einter Segmentschale in der Kieler Antikensammlung," Rivista di Archeologia 1, 1977, pp. 16-18
Vatican 244
ABV 213, 30
Paralip. 103, 38 ter
C. M. Stibbe, Lakonische Vasenmales des sechsten Jahrhunderts v. Chr., Amsterdam 1972
Agora XII, pp. 128-138
Hamburg 1962.171
Paralip. 103, 22 bis
Amasis Painter
ABV 156, 78
CVA, Hamburg 1 [Germany 41], pl. 44 [2010]
Heidelberg 285
Akropolis 1241
ABV 156, 79
Elbows Out
ABV 213, 31
ABV 250, 19