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| Athens National Museum, no. 511. Graindor, Cosmétes, no. 28. The "Philosophers". 99. L'Orange, Studien, figs. 146-150, 157, 158, 163-166. Delbrück, Spätantike Kaiserporträts, pls. 27-39. Richter, Roman ... Agora 1 100 50 BI 1016 ... Richter, Roman Portraits, no. 110 ... Athens National Museum, no. 511 ... Graindor, Cosmétes, no. 28 |
| H. A. Thompson, Hesperia, XVII, 1948, p. 178, pl. 55. Wegner, Arch. Anz., 1938, cols. 276ff., figs. 1, 3, 7-13. Poulsen, Greek and Roman Portraits in English Country Houses, no. 53, p. 71. Blümel, Römische ... Agora 1 32 S 880 ... 98-117 A.D ... Richter, Roman Portraits, no. 63 ... Poulsen, Greek and Roman Portraits in English Country Houses, no. 53, p. 71 ... Blümel, Römische Bildnisse, R 37, pl. 27 |
| L. Goldscheider, Roman Portraits, London, 1940, no. 53. G.M.A. Richter, Roman Portraits, New York, 1949, no. 70. L. Goldscheider, Roman Portraits, London, 1940, pls. 78,79. M. Wegner, Datierung römische ... Agora 6 16 ... L. Goldscheider, Roman Portraits, London, 1940, no. 53 ... G.M.A. Richter, Roman Portraits, New York, 1949, no. 70 ... G.M.A. Richter, Roman Portraits, New York, 1949, no. 79 |
| Schweitzer, pp. 79ff., figs 99-104, 107-110. M. Bieber, History of the Greek and Roman Theater (Princeton, 1939), p. 323. Schweitzer, figs. 104, 109, 110. Schweitzer, pp. 83f. Hinks, Greek and Roman Portrait ... Agora 1 16 S 998 ... 1st B.C ... Richter, Roman Portraits, no. 8 ... Hinks, Greek and Roman Portrait Sculpture, 18 b (B.M. no. 1879) ... M. Bieber, History of the Greek and Roman Theater (Princeton, 1939), p. 323 |
| Graindor, Cosmétes, no. 22. Graindor, Cosmétes, no. 24. The Third Quarter of the Third Century. Richter, Roman Portraits, no. 109. Goldscheider, Roman Portraits, pls. 98-99. Bovini, Mon. Ant., XXXIX, 1943, ... Agora 1 97 ... 250-275 A.D ... Richter, Roman Portraits, no. 109 ... Graindor, Cosmétes, no. 22 ... Graindor, Cosmétes, no. 24 |
| N.M. nos. 362-363. A.B. 539-40 and 883-4. Laurenzi, pl. 36, nos. 90-91. Michalowski, Délos, XIII, pls. 17-18. Horn, Röm. Mitt., LII, 1937, pl. 41, 2. T. L. Shear, Hesperia, IV, 1935, pp. 407ff. E. Buschor, ... Agora 1 20 S 1287 ... Julio-Claudian ... Agora 1, no. 8 |
| A signed mould.
Fragmentary figure. One finished edge of the mold preserved, from left ear to center of forehead.
Outside scratched in the dry clay the letters: Δ Η. Metal impression (?)
Fine pink clay ... 25 May 1935 ... Study Collections-Case No. 29-Κ |
| Revue des études anciennes, Bordeaux, from 1898. Richter, G.M.A., and Milne, M.J., Shapes and Names of Athenian Vases, New York, 1935, fig. 13, 15, 23, 30, 54, 59, 63, 70-71, 91, 99-101, 114-133, 118-121, ... Agora 12 463 ... Richter, G.M.A., and Milne, M.J., Shapes and Names of Athenian Vases, New ... Richter, G.M.A., Ancient Italy, Ann Arbor, 1955 ... Richter, G.M.A., The Furniture of the Greeks, Etruscans and Romans, London, |
| Fragmentary Portrait of a Woman. Marinatos, Arch. Anz., 1935, col. 256, figs. 7-8. Hekler, Bildniskunst, pl. 239b. Bernoulli, R.I., II (2), pl. 20, p. 64. Poulsen, Greek and Roman Portraits in English ... Agora 1 27 S 359 S 347 ... Flavian ... Poulsen, Greek and Roman Portraits in English Country Houses, no. 53, pp. 71f., and ... Fragmentary Portrait of a Woman ... Portrait of a Priest (?) |
| Piece from base of plate or bowl.
In high relief, the portrait bust of a young man, profile, facing left.
Red glaze. Destruction fill of fountain house. Leica, 93-46-7, VI-24, 85-184 PD 1171-184, PD ... 11 May 1935 ... Agora XXXII, no. 762, fig. 23, pl. 44 ... Richter (1960), fig. 218, pl. XLVIII. |
| Sv. 85.4. Sv. 95.6, 7. Sv. 95.23, 24. Sv. 96.30-36. Lacroix, pp. 266-281, especially pp. 277-278, pls. 23, 24. LIMC II, p. 1031, pls. 729-730:220, 221. LIMC II, p. 1033, pl. 733:247. NCP, pp. 130-131, ... Agora 26 122 ... NCP, p. 140, no. 5b ... G.M.A. Richter, The Portraits of the Greeks, 1st ed., London 1965, pp. 97-98 ... New Style, p. 390, pl. 142, nos. 1269, 1270 |
| From a flat plate with central medallion and no base ring. A bearded male head, left, finely modelled as from a metal mould.
Brown metallic glaze. Modern filling. Leica, VI-27, 86-11-26, 93-46-9 ... 27 March 1937 ... From a flat plate with central medallion and no base ring. A bearded male head, ... Leica, VI-27, 86-11-26, 93-46-9 |
| Broken on all sides; preserved from top of head to eyes.
Male head wearing laurel-wreath crown.
Pentelic marble.
Joined to S 1531 (Π 815).
Drilled for setting on base June 1950. Finished Late fill. Leica, ... 2nd quarter of 3rd c. A.D ... Roman |
| Chopped off behind and much battered, the features nearly gone.
The high coiffure is Flavian, with rows of snail-shell curls in an erection over the forehead, drill holes in the center of each curl. Round ... Flavian period ... Female Portrait Head Fragment |
| The proper left side of the face is split off, its surface damaged. Right eye, cheek and forehead preserved. Eyeball pierced.
A wreath on his head.
Pentelic marble.
Drilled for setting on base in June ... 2nd quarter of 3rd c. A.D ... West Basement-Portrait Shelves |
| The back of the relief preserved; elsewhere broken. Mouth and chin missing.
Bearded male head facing. The pupils hollowed out.
Stained from the cesspool.
White marble.
Drilled for setting on base December ... Hadrianic or Antonine period (?) ... Portrait Head Fragment of Male Figure from Relief |
| Broken at neck; the face scarred.
The head faces left; the brows are furrowed; the eyes, deep-set, are well cut; the hair is carefully worked in small locks.
Pentelic marble.
Drilled for setting on base ... Flavian period ... Roman |
| Bearded head, broken away at the neck; the nose and piece of the left ear missing.
Close cropped hair and beard in very low relief. The iris and pupil of the eyes are both indicated. The wrinkles on the ... Ca. 245-255 A.D ... Portrait Head of Male Figure |
| Intact. Perhaps unfinished.
Very personalized portrait of a middle-aged woman.
Long strands of hair, parted in middle, pulled down and back over ears. Hair in back bound in a thick coil. She wears a thick ... 3rd c. A.D ... AgoraPicBk 27 (2006), p. 52, fig. 58. |
| Broken at neck. Nose broken; ears and chin chipped; a slice missing from back of head; otherwise in good condition.
Head of a young boy, life-size or slightly under, with short hair and a wreath about ... 3rd quarter of the 3rd c. A.D ... Roman |
| Intact except for end of nose, chips from ears and upper eyelids, chips from just above left ear. Left side stained brown.
Made to be set into a shaft; the bottom is approximately the frustrum of a cone ... 2nd c. A.D ... Roman |
| Bearded male head broken off at root of neck; nose and eyebrows chipped, left ear lobe broken off. The brows furrowed, the beard and hair freely drilled. The hair at back of head merely blocked out. Surface ... Antonine period ... Roman |
| Broken off just below the chin, the features largely worn away, the back both worn and broken.
Head of over life-size figure. The hair is drawn down over the forehead in broad waves, covering the ears ... 4th c. A.D ... P.H. 0.28; W. 0.27; Th. 0.26 ... 0.27 |
| Completely preserved except for phallus. The top of the head is flat and rough-picked, and was probably originally finished with stucco.
Realistic portrait of an elderly man, the lines and folds of flesh ... Period of Hadrian ... Roman |
| A youth with flowing locks facing slightly to the proper left. The type is that of 'Eubouleus'.
Unfinished: areas to be drilled left rough.
Seven measuring points: two in hair over temples, one in chin, ... 25 June 1959 ... AgoraPicBk 27 (2006), p. 34, fig. 37. |
| Neck to mid-thigh of frontal draped male figure with right hand and arm, which is sheared off, held up against chest on left holding mantle folds.
Crisp, harsh folds with a few deeply drilled contours ... 12 August 1977 ... Agora XXXV, no. 318, pl. 103. |
| In fine preservation.
A portrait of a middle aged woman (Faustina the Younger ?) with rather severe features and with hair parted in the center and drawn down in waves to a chignon in the back, below which ... Ca. 162-166 A.D ... Roman |
| The nose and chin have been considerably damaged. At the base of the neck, a roughly picked tongue indicates that the head was inserted into a separate body.
Head, larger than life-size, perhaps of Trajan ... Flavian period ... Hafner (1954), no. A 44, p. 85, pl. 38 ... Agora I, no. 17, pp. 27-28, pl. 12. |
| Several pieces preserve floor and about half of wall and rim. Very low ring foot; gently curving walls, plain rim. On floor a raised medallion: within a single groove, profile bust of Augustus with fillet, ... 12 April 1948 ... Agora XXXII, no. 844, fig. 27, pl. 45 ... Richter (1960), fig. 216, pl. XLVIII. |
| Head of an unknown, middle aged man in a skullcap. The head is broken off at the base of the neck; most of the right ear, the end of the nose and the tip of the left ear are missing. Chips gone from the ... 1st c. B.C ... Portrait Head of Male Figure |
http://agathe.gr/publications/monographs.html Monographs Excavations in the civic and cultural center of classical Athens began in 1931 and have continued almost without interruption to the present day. The first Athenian Agora volumes presenting ... Books. Portrait Sculpture ... catalogue form are 64 portrait ... “material,” “forms of portraits |
http://agathe.gr/publications/picture_books.html Picture Books The Athenian Agora Picture Book series, started in 1951, aims to make information about life in the ancient commercial and political center of Athens available to a wide audience. Each booklet ... the Late Roman period. This ... Inside Ancient Portraits from ... Roman tourist Pausanias have |
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