Icon, Title, Artist, Date
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| | | | | | | | | | | | | | | | | | | | | | | | | | Nike from the Stoa of Zeus set up at the north end in the lower colonnade. The Nike against the sunset light. | | 1957 | | | Sounion: Cover tile no. 38. | | | | | South Stoa I, south of Room VI: the stone aqueduct. | | 29 Aug 1966 | | | Cuttings in floor of the West Pediment. Enlarged drawing after Sauer (1899), pl. II. | | 1955 | | | View showing the road as it passes between the Odeion and the Stoa of Attalos. Poros gutter at right borders at the right side of the street. | | 27 Dec 1957 | | | Model completed by the technician John Bakoulis under the direction of John Travlos, in order to illustrate the interior arrangements of the building. Scale 1:50. View of the facade. | | March 1956 | | | One-Piece Amphorae; Scheme of Decoration Uncertain Shape Studies One-Piece Amphorae One-Piece Amphorae; Type A One-Piece Amphorae; Type B One-Piece Amphorae; Type C Beazley, JHS 42, 1922, pp. 70-71 CVA, Berlin 5 [Germany 45], pls. 1 [2146]:2, 3 [2148] New York, M.M.A. 51.11.3 Lydos Beazley, AK 4, 1961, pp. 49-50 ABV 119, II, 6 Paralip. 48, II, 6 Boston, M.F.A. 89.257 R. Lullies, AK 7, 1964, pp. 85-88 Swing Painter ABV 304, 2 CVA, Boston 1 [USA 14], pl. 3 [625] Mommsen, Affecter, pp. 48-51 Böhr, Schaukelmaler, pl. 2 Vatican 344 ABV 145, 13 Paralip. 60, 13 New York, M.M.A. 12.198.4 ABV 258, 5 Paralip. 114, 5 New York, M.M.A. 41.85 Group E Louvre F 53 ABV 136, 49 Paralip. 55, 49 Group of Toronto 305 Toronto 305 ABV 283, 13 ABV 391, 1 Berlin 1699 ABV 136, 53 Paralip. 124, 13 Paralip. 55, 53 Berlin 1698 ABV 136, 54 B.M. B 205 ABV 136, 55 B.M. B 194 ABV 135, 56 Paralip. 55, 56 Amasis Painter Kassel T 384 ABV 137, 57 ABV 151, 18 Paralip. 63, 18 Bothmer, Amasis Painter, p. 109, fig. 67 Paralip. 55, 57 CVA, Kassel 1 [Germany 35], pls. 21 [1701]:1, 22 [1702] Budapest 9132 ABV 137, 58 Paralip. 55, 58 ABV 279, 48 B.M. B 197 Painter of Berlin 1686 Berlin 1686 ABV 296, 1 Paralip. 128, 1 Rhodes 14093 ABV 307, 57 Böhr, Schaukelmaler, pls. 79, 80 Berlin, inv. no. 4823 Painter of Acropolis 606 Acropolis 606 ABV 81, 4 Paralip. 30, 4 Agora XII, p. 48 | | | | | | | | | | | | | | | | | | | | | | | | | The Class of Athens 581; ii Paralip. 239 Paralip. 238 Lekythoi; The Lekythos Painters IV; The Class of Athens 581; ii Well S. R. Roberts, Hesperia 55, 1986, p. 44, no. 252, pl. 11 Paralip. 240 Paralip. 241 | | | | | Sounion: Cover tile no. 38. | | | | | New York, M.M.A. 56.171.12 ABV 134, 22 Paralip. 55, 22 Munich 1380 ABV 135, 34 Tarquinia, inv. no. 617 Paralip. 56, 36 bis Adolphseck 2 ABV 686, 40 bis Paralip. 55, 40 bis Boston, M.F.A. 00.330 ABV 135, 45 Paralip. 55, 45 CVA, Boston 1 [USA 14], pl. 5 [627]:2 Vienna 3596 Paralip. 56, 48 bis Paralip. 57, 63 ter E. Berger and R. Lullies, Antike Kunstwerke aus der Sammlung Ludwig, I, Frühe Tonsarkophage und Vasen, Mainz 1977, p. 62 Toledo 1956.70 ABV 268, 26 Paralip. 118, 26 CVA, Toledo 1 [USA 17], pl. 23 [803]:1 Altenburg 222 London B 194 ABV 136, 56 ABV 268, 27 Paralip. 118, 27 Hanover 1965.30 Paralip. 55, 56 Paralip. 119, 27 ter CVA, Hannover 1 [Germany 34], pl. 19 [1651]:2 Hydriai; Shouldered Hydriai Lagunillas 88 Gerhard, AV, pl. 14 Other Fill Florence, inv. no. 94323 CVA, Florence 5 [Italy 42], 23 [1887]:2, 3 Swing Painter Rhodes 14093 ABV 307, 57 Böhr, Schaukelmaler, pls. 79:A, 80:A | | | | | Close of Basket 55; Open of Basket 57. [After Basket 55; Before Basket 57] | | 21 Jul 2015 | | | Lekythoi; The Lekythos Painters IV; The Class of Athens 581; i Well The Class of Athens 581; i Paralip. 225 Geron Group Paralip. 224 and 228 S. R. Roberts, Hesperia 55, 1986, p. 38, no. 119, fig. 28 Paralip. 226 ABV 716, 119 bis Paralip. 223, 119 bis Paralip. 224 Paralip. 224 and 225 | | | | | | | | | | The Class of Athens 581; i Paralip. 288 and 281 Paralip. 226 Lekythoi; The Lekythos Painters IV; The Class of Athens 581; i Well Paralip. 228 Paralip. 227 The Class of Athens 581; i; Group P Paralip. 230 S. R. Roberts, Hesperia 55, 1986, p. 45, no. 276, pl. 12 L. Deubner, Attische Feste, Berlin 1932, pp. 123-134 | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |
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